On Monday, I went to Northeastern University to see a piano trio perform "Three for Three." The trio was made up of a great clarinetist named Rose Sperrazza, a cellist from the CSO named Gary Stucka, who was also great, and Shirley Trissell, a pianist. I'm not sure, but I think I saw her at MYA playing the piano accompaniments for a master class. She's really good.
I went to the concert with Sam Sitzmann, a fifth grader who is a friend of mine. Sam is an outstanding cellist. The group played trios by Beethoven, Muczynski, and Brahms. I am playing the Beethoven, and my friend Sam and my brother Ari are working on the cello and piano parts so hopefullly, we'll be able to play it together soon. It took a long time to get from Buffalo Grove to Northeastern, so I was glad to have Sam with us. When we finally arrived, we had to look for a little while to find the recital hall where the performance was going to take place. We also had to find the parking office to get a parking permit so that our car wouldn't get a ticket. When we finally did all those things, we went to the performance, which was going to start in another 15 minutes.
They opened with the Beethoven. The first movement was really good with some technical sections that are hard to play. They played the first movement quite beautifully, and they made it look easy. The 2nd movement was carried off with great expression, and I enjoyed that a lot as well. While I enjoyed the third movement, and the musicians communicated very well together when they played it, I didn't like one decision that they made. Instead of putting in a slight pause between each variation, like a breath mark, they played through each variation in a row without pausing. The third movement is almost like a bunch of little songs (or variations on a simple theme) stuck together all in a row. I have a version of this piece on MP3 played by Richard Stoltzmann and Yoyo Ma, and in this recording there is a little more space between each variation. I could be wrong, but I like that better, because it there is time to prepare for the next variation, since each variation has a different feel. Still, I really liked the way they played this piece.
The second piece they played was the Muczynski. I think the 3 musicians played it really well, even though I don't think I like the piece very much. I have only heard it once, and I have to hear it a few more times before I decide. It is very wild and contemporary. After a short intermission, they played the best piece of the series by Brahms. The first movement of it was really fun and expressive. The second movement was beautifully smooth. The third movement was really nice and the last movement was really exciting. The last movement sounded very much like a conversation between the instruments, and when the mood of the piece changed, the musicians changed with it very well. I really want to play the Brahms now. Sam said his favorite piece of the three was the Brahms too.
I loved this concert, and I want to see all of these musicans perform again.
Wednesday, May 5, 2010
Tuesday, May 4, 2010
New Practice Record and New Pieces
Last week, I made a new practice record. 14 hours and 45 minutes in just 3 days! That made a total of 18 hours for the week. I've practiced more in a week, but that was the most I have ever practiced over 3 days.
Running track in addition to playing soccer caused me to have shin splints and Osgood Slatters, and my legs hurt too much to go to soccer practice or play outside much, so I made good use of the time.
Oh, and I'm working on some new pieces: The Saint-Saens Sonata, the Danzi Concerto, and the Beethoven clarinet, cello, and piano trio.
Running track in addition to playing soccer caused me to have shin splints and Osgood Slatters, and my legs hurt too much to go to soccer practice or play outside much, so I made good use of the time.
Oh, and I'm working on some new pieces: The Saint-Saens Sonata, the Danzi Concerto, and the Beethoven clarinet, cello, and piano trio.
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